Contributions

Content

Mix – used ITU-1770 standards to establish an integrated loudness of -18db LKFS for 20 minutes of gameplay
Destruction
Weapons (67% of all designed)
Alien voice- Creeper, Big Creeper, Grunt, Ambusher, Tank, Queen, Tentacles, Monoliths
Nanoforge – shockwave, impact, berserk, shield, including upgrades; repair
Music – style guide, producer, director, and supervisor roles,system design, implementation, wrote score for Ruin Mode and Multiplayer
THQ/Volition/RFA animated logos – the video that appears at game boot
Cutscene audio director, producer
Gore
Player foley – all weapon reloads, dodge, movement foley
Ambience – PAs throughout game, alarms, mission battle ambience
Interface – upgrades, vehicle night vision, new weapons pop-ups, salvage (pickup and ambient loops), ammo pickups
Props – generator used throughout the game as a repair objective, explosions
DLC content – weapons, vehicles, mission sound effects, cutscenes

Integrated 90% of audio into mission scripting
Point for RAM allocation discussion and memory management
Playback stability- point for QA and programmers
System optimization – compression spec, variation counts, duplicate data, etc.
Interfaced directly with Audiokinetic for new Wwise feature requests, identifying new bugs
Feature parity between SKUs
DLC system architecture support